Really and Truly Done--For Now

I started to write a post last week about the revision process. In fact, it started like this:

I adore revising, especially that first set of revisions after I’ve managed to nail down the plot and the mechanics of the novel and can focus on the more character heavy details.

That's as far as I got before things got all Thanksgiving-ey crazy. Then, when I had time to think about posting again, I was at the stage where I hated revision. Hated. It. My brain hurt and I was pretty sure everything I was writing was loathsome.

Which pretty much sums up the revision process.

Until two days ago when I reached the home stretch, and things began looking up; I had officially reached the Finish Frenzy, which is very much akin to the manic phase in bipolar disorder. Everything is go, go, go! And it's working! Oh yes it is! ::insert chortling right about here:: And then you nail in the last detail, finish filling in the last hole, and type The End.

And you collapse. Or jump up and scream and dance around the house, and then collapse. I have spent the day alternating between languishing on the sofa, feeling dazed, and zooming around the house cleaning out closets and drawers because I'm done!

Okay, I never claimed writers were sane.

But I am really and truly done. The book is as good as I can make it at this point in time, that last clause being the most important. If I had time, I'd put it aside for two months then give it another polish, but I don't. I am sure, however, when I look at it again in six weeks, all it's faults will be glaringly obvious.

What Color Is Your Revision?

I’ve discovered a enormously helpful new revision tool. It’s probably something everyone else has known about for eons, but I’ve just stumbled upon it and it’s keeping me from feeling scattered to the four corners of the universe.

I’ve taken to printing different versions of the mss out on different colors of paper. So the rough draft was printed in white, the second draft was printed on yellow, and the third that I’m currently working on is on blue paper. The final version will be on buff colored paper. (Yes, I really am the queen of multiple drafts. I can NEVER get it in one.)

Such a simple, simple thing, and yet, it frees up just a little bit more of my mental hard drive so I don’t have to stop and think, okay, which is the newest version? I know some people print their version numbers as a footer on the mss, but I always forget about that, and this color thing just makes it so clear.

Plus, seeing the mss on a different colored paper is almost as effective as using a new font for making old typos easier to spot.

It is especially helpful when I’m weaving in bits from older drafts.

Not to mention that it’s pretty. It makes my desk look like a rainbow has exploded on it.

Done, Done, DONE!

Yes, that screaming you hear is moi, thrilled to pieces that I've finally finished this wretched first draft. I've never contemplated Death By Unfinished Manuscript before, but this book about did me in.

I started the book on June 3, much later than I should have, but I was distracted by the new book I'd just written and sold, and I hadn't factored in new time management issues involving my PT job and boys home from college for the summer. So all in all, I learned a ton about my process and time management issues, so the agonizing did serve some practical purpose.

And, not only am I DONE! (done, done, done--such a happy word!) but I have ten whole days left for revision. Is life good or what?

And to celebrate, I cleaned the much neglected kitchen and did two loads of laundry. Oh, and made a pet food run. Ah, the glamorous life of an author...

Odure

Someone nearby has gone and fertilized their field, and not with any, run-of-the-mill fertilizer. Oh no. This stuff reeks beyond the reekiest thing in your imagination (even my current writing!) It’s not a simple horse manure type stuff, but some ghastly, vile, fish guts and horrid chemical smell that burns the inside of one’s nostrils. Ugh.

Makes it very hard to concentrate on today’s pages.

Hmm...maybe I can pretend it’s the stench of the Thames and incorporate into today’s writing.

Making My List And Checking It Twice

No, not my Christmas list, my reading list. For when I finish this Book That Will Not End. Well, that and the next book, but I only have six weeks to get that written so I’m sure that time will fly by. I have a whole list of books I can’t wait to read, but they’re too diverting—they’ll take my voice and story interests in a whole ‘nother direction and I can’t afford that. At least not until Jan 15, and then, watch out! I’m going to plant myself on the couch and read for two weeks straight!

Some on my list:

Ink Exchange
Gargoyle
Kushiel’s Mercy
The Born Queen
Midnight Never Come
The Sugar Queen
The Immortal

Stuck in iSuck

Bleah. This is the hardest stage of the manuscript, the pure slogging stage, where I am sick unto death of this plot and these characters and whose idea was this anyway? Every word I write reeks of dreck and sewage.

Even worse, I added five pages of revision notes today, pleased that my page count would go up, bringing me ever close to The End. Except, I ended up removing just as many pages as I added. So not only am I stuck in iSuck, but I’m going nowhere too. I formally dub this The Book That Will Not End.

Double bleah.

Scratching My Head

Every once and a while, it feels like I’ve completely forgotten how to write a novel. I can’t figure out where to start, or how to plow forward. So what do these people do, I whine to myself. What gets the plot moving, or worse, what is the frickin’ plot? That’s when the digging begins.

And for digging, I find the most useful tool is a large, 11x 17 or 17 x 21 sheet of graph paper. I take that big piece of paper and write the protagonist’s name and any other major players, along with any plot goals I may know of, for example, a quest for the emerald tablet. Then I just do that whole brainstorming thing where I try to fill in the following sentences:

Theodosia wants
Wigmere wants
Sticky Will wants
Stilton wants
Fagenbush wants
Awi Bubu wants

Somehow, seeing it visually helps my brain forge the connections and possibilities that merely listing them or thinking about them doesn’t.

Then once I have some vague goals for people, I begin fleshing out why they want it. Because I’ll have to show that in order for their goals to makes sense, so that gives me some great scene material.

Next, I find out what is in the way of their goals. If my muse is on top of her game, I find that many of the characters are standing in each others way, which means I have a nice big connected tangle of goals and conflict that all tie in to the major plot. Usually there are one or two dangling, like Will’s. Will wants to provide for his brothers and keep and earn Wigmere’s respect. However, in my current plot, that’s not really threatened or in any kind of danger. So now I have to brainstorm some action, plot thread, or layer that pulls that goal into the main story.

Plotting. Not for the faint-hearted.